WRITING CENTER "INFORMATION PICK-UP" (S.S.C.C.)
(AVOIDING)
CLICHΙS:
WHY DON'T PEOPLE LIKE TO READ CLICHΙS?
HOW DO YOU AVOID THEM?
WHAT CAN YOU USE IN PLACE OF THESE?
WHAT ARE CLICHΙS? (in alphabetical order) and EXPRESSIONS TO AVOID
IN BUSINESS AND PROFESSIONAL WRITING
WHY DON'T PEOPLE LIKE TO READ CLICHΙS?
Clichιs weaken a piece of writing because they lack originality and the spark of individuality which light up a piece of writing. People do not enjoy reading the same ideas or hackneyed phrases again and again. They prefer to explore new ways of thinking, experiencing, feeling, and reading.
HOW DO YOU AVOID THEM?
Read more quality writing which reflects the author's character, energy and personality. It helps to read to broaden one's sense of what is common or uncommon.
WHAT CAN YOU USE IN PLACE OF THESE?
Try to see a situation or experience in a new way. Do not repeat what you've heard elsewhere. Don't reach for the "easy" solution. Rather, put the ideas or descriptions in your own words. Strive to show your character, personality, past, taste, experiences, and other aspects of YOU in your work. Find unique comparisons, metaphors, similes and examples, and use them!
WHAT ARE CLICHΙS? and EXPRESSIONS TO AVOID IN BUSINESS AND
PROFESSIONAL WRITING
Clichιs are words or phrases used so commonly that their original meanings have become worn and useless. They are "trite or stereotyped" expressions, which may irritate readers rather than provide any insights or pleasure.
SOME EXAMPLES OF
CLICHΙS (in alphabetical order)
A
after all is said and done
aim high
angry as a hornet
around the bend
around the corner
---- as all get-out
at cock's crow
at a crossroads
at his throat
at the front of the pack
at the roll of the dice
avoid ... like the plague
B
babe in the woods
ball is in your court
beat around the bush
beat ... over the head with this
bell the cat
bend over backwards
best foot forward
better late than never
black as coal
bold as brass
book worm
bowled over
break the cycle
bright as a penny
by a long stretch
by and by
by the seat of my pants
by the skin of my teeth
C
call of the wild
calm before a storm
can't see the forest for the trees
cart before the horse
chalk up a victory
chew on this idea
close the chapter on it
come through with flying colors
count your blessings
crying shame
cute as a bug
D
dead as a doornail
delicate as porcelain
dire straits
drag through the mud
drive home the point
drop in the bucket
E
easier said than done
easy as pie
eat like a horse
eat my words
eye of the storm
F
face the music
fall to pieces
fat as a pig
first things first
fish out of water
flash in the pan
flat as a pancake
friendly as a puppy
full of hot air
full of guff
G
go the distance
good as gold
H
harvest what you sow
has a knack for
has his/her plate full
have your cake and eat it too
head full of rocks
hit a bull's eye
hit a home run
hit the spot
hit the nail on the head
home sweet home
hook up with
holier than thou
I
in a flash
in a jiffy
in a new light
in a nutshell
in good time
in one ear and out the other
in the long run
in the nick of time
J
jump from the frying pan into the fire
K
keep tabs on
kick in the pants
kill two birds with one stone
L
larger than life
last but not least
leave on the back burner
leave well enough alone
lesser of two evils
let sleeping dogs lie
lick his boots
life's final chapter
like a bull in a china shop
like clockwork
lock horns with
look before you leap
lose his head
lurk around the corner
M
make lemonade out of lemons
meaner than a crocodile
meek as a lamb
mom's apron strings
more than meets the eye
N
no time like the present
nose in the air
nothing ventured, nothing gained
O
on the mend
out for the count
out for the count
out of the blue
P
part and parcel of
pass the buck
play second fiddle to someone
poke your head in
polish his/her apple
pot call the kettle black
pretty as a penny (or peach)
punch the time clock
put a new spin on
put it on ice
put on the back burner
put your foot in your mouth
put your heart into it
Q
quick as a wink
quiet enough to hear a pin drop
R
raining cats and dogs
red as a beet
right at your fingertips
rock the boat
run like the wind
run the race
run with the fast crowd
S
sadder but wiser
see eye to eye
sharper than a tack
shoot for the moon
shot in the arm
sink or swim
sit on the fence
slow as an ox
sly as a fox
so far, so good
sow what you reap
squeeze blood out of a tomato
step by step
stiff-necked
stone deaf
strong as an ox
sweet as sassafras
T
tackle the problem
tail wags the dog
take it to the limit
take the bull by its horns
take the fall
take to the cleaners
tan his hide
that wasn't much to look at
the road not taken
tickle me pink
timid as a mouse
thin as a stick
throw a monkey wrench into it
throw one's hat in the ring
throwing stones in a glass house
tougher than leather
try my luck
turn a new page
turn over a new leaf
twisting like a leaf in the wind
U
uglier than sin
W
weigh the options
weight of the world on one's shoulders
what goes around comes around
when in Rome, do as the Romans do
wilier than a fox
wise as an owl
wolf in sheep's clothing
The following chart of "Expressions to Avoid in Business Writing" has been excerpted from Writer's Inc.
EXPRESSIONS
TO AVOID IN BUSINESS AND PROFESSIONAL WRITING:
FORMAL
AND AWKWARD PHRASING: Replace this with
simpler, more direct and contemporary language.
AWKWARD: POSSIBLE SOLUTIONS:
at the present writing presently, right now, currently, for
now
you are hereby advised I'm writing to let you know
I'm writing to inform you
indisposed busy, unavailable at present
ceased functioning quit working, stopped working
WORDY AND REPETITIVE PHRASING: Replace these with concise (brief) wording.
in the near future soon
due to the fact that because, since
on a daily basis daily
absolutely essential essential, important, central to
be in agreement with agree
over and done with finished, completed
bring together join, unite
OTHER CLICHΙS TO BE AVOIDED IN BUSINESS AND PROFESSIONAL WRITING:
at this point in time in view of the fact
as a matter of fact better late than never
token of our appreciation it has come to my attention
I regret to inform you par for the course
* Your language should not show any bias against anyone for race, religion, gender, age, or any other factor. Each individual should be shown due respect. Any language which shows judgment or negative connotations should be avoided.
Sources:
Patrick Sebranek, Verne Meyer and Dave Kemper's Writer's INC, A Student Handbook for Writing and Learning (1996), published by D.C. Heath & Company, and others.
(Revised 1998)